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Cover Download Save contents. Contents pp. Acknowledgments pp. The Nature of Contrivance pp. Biography and Career Outline pp. Character and Plot: Meantime and Four days in July pp. Art and Narrative: Naked and Secrets and Lies pp. Interview with Mike Leigh pp. Can you explain your technique to us? Well into the 21st Century, still being asked the same old! And they are sick of it. And, second of all, the audiences that each of your interviewers are speaking to might not have heard about it.

Mike Leigh: Of course, of course, we know that. But, if the question is, do I groan at having been asked, that is it. Mike Leigh: Well, actually, here is a thing. Crop circles. Generally taken to be hoaxes, things that people make. Rico Gagliano: These are, like, patterns that have been pressed into cornfields that you can only see from above.

Mike Leigh: Well! This is the thing! I am not a religious person. But I have experienced these things. They do occur quite a lot in the southwest of England. All of that! I began from a position of, like everybody else, ordinary cynicism about it. Mike Leigh: I was a skeptic!

But the ones that are hoaxes that people sort of go in and make, you can tell the difference immediately. The most remarkable thing about it, in my view, is that it remains a matter of total cynicism for the general public. Willem talks with Brendan about working alongside screen newbies in the film, the moment when an actor becomes creative artist and not just an interpreter, and maybe reveals a little too much answering one of our standard questions.

Share on Facebook. Share on Twitter. Mike Leigh: Absolutely! That was a gas to do! A joy, a delight. Books Video icon An illustration of two cells of a film strip. Video Audio icon An illustration of an audio speaker.

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